I have a few comments, but no one should take these as rebuttals to Member 27's post, just some remarks.
I noticed that you never mentioned the original 1962 film, so I'm not sure you compared and contrasted the two. To me, every time they kept a scene or line of dialogue from the original, it played worse in the new version. Also, every time they changed something, it seemed weaker.
Both films were written by men, as was the original novel, which was excellent. The dialogue between Marco and his love interest wasn't in the novel, but was in the original film.
The use of cinematic techniques was meant to show how disoriented the characters were, but it obviously affected you more. Changing the original's plot to update it made sense, since there would have been no point in remaking it as a Cold War thriller/satire since that was already done to close to perfection, but I'll agree the new "bad guys" have been villains in films now for decades.
My overall reaction to the film, though, isn't such revulsion. The basic structure and forward momentum of the source material was kept intact, although obviously diluted. I thought it was an OK (if pointless) film, which just reminded me how much better the original was.
Director Jonathan Demme ("Silence of the Lambs") did a better job on this than his utter waste of a remake of the Cary Grant/Audrey Hepburn classic "Charade". His unfortunate "The Truth About Charlie" has to be current remake king, Mark Wahlberg's, worst.
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