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Apprentice Guru
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It'd be easier to argue about this if it was at all clear what point you're trying to make. I think it's something along the lines of: the Shins aren't popular because they don't want to be. I didn't read that RS interview, so I can't agree or disagree that those comments are or anything else he said are anti-capitalist or anti-mainstream, just anti-technology. (Another candidate for the biggest rock band in the world, Radiohead, made arguably the best album of the '90s and it was at least in part about their lack of trust in technology) Speaking of Radiohead, they've certainly never tried to be huge; it just sort of happened. I'd say they probably sport the lowest ratio of accessibility to popularity of any band in the world.

The Shins don't get radio play because their last album was released over two and a half years ago, a year before Garden State. Quick, list all the songs from 2003 and 2001 that you hear on the radio all the time. But I'm not here to debate the wisdom or choices of the alt-rock radio station's program director in your hometown. Their new album will come out this summer and it's going to be everywhere, even if they don't posture like U2 or try as hard as they can to make the perfect album like Coldplay, both of which get little respect from serious music fans and critics (at least in their current incarnations).

And you can't compare anything today to the Beatles. There was a time when the pop bands were also making the best music in the world. Obviously, this is no longer the case.
 
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Super Bad-Ass Jedi
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I don't think the Shins' lack of widespread commercial success is because they don't want to sell out... they licensed one of their songs for a McDonald's commercial. You can't get any more "sellout" than that. Well... unless you're Garth Brooks coming out of retirement to do Walmart commercials.


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We were wasps with new wings, now we're bugs in the jar.

 
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Jedi
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quote:
Originally posted by paxsoprano:
All good points. But it still does not resolve why a band like the Shins would not be on the radio. To clarify what I mean, here is what we know about the Shins:

1) If people listen to them, people will like them (this we know from the success of Gardenstate soundtrack, hordes of devoted teenage girls, etc).

2) Record labels generally want to release/hype music that lots of people want to buy, and this hype leads to radio play, MTV video rotation.

3) The Shins are not on MTV, and they're not on the radio.

So how do we rectify this seeming contradiction? You can't say, well the public doesn't like them, because that is obviously not true. I think we can get a clue to the answer from a Rolling Stone interview that I read about James Mercer earlier this year where he said something like, "Since the 1950's we have had all these advances in technology, but those advances have not made us any happier, and this is the subject of one of my songs blah blah blah." That sort of anti-capitalist sentiment indicates a deep mistrust of anything mainstream, anything popular. Over the last few years there has been a big influx in the number of R&B acts getting airplay. I would argue this is because R&B acts take their cue from people like Jay-Z, who are constantly bragging about how many albums they sell. To R&B artists, widespread popularity is a badge of honor, while that is not the case for indie rockers. Also look to rock 'n' roll...the two biggest mainstream rock bands in the world right now are probably Coldplay and U2, and both of these bands have been on the record as saying one of their goals is to be the biggest, most popular band in the world. You can look back to the Beatles too...the Beatles didn't just become popular in the United States by chance or because their music was good. It took a lot of effort from the Beatles to make themselves marketable.


The problem, Pax, with that is that the record company doesn't have the resources to spend on every single band they think might catch on in the mainstream.

They have to pick and choose, and they have to pick only the records they expect the absolute most profit from.

Say, they have a band they are 100% sure will sell 5 million copies.

And one band they think has a 50% chance to sell 8 million copies, and a 50% chance to only sell 100,000 copies.

They'll go with the 100% certainty, because it has the greatest expected return. Shins would probably catch on (Though, they don't really have catchy hooks). But, they wouldn't definetely catch on. It'd be a risk. Unlike 'Boy Band #285923', which would definetely sell a whole lot in the short term.

That's how record companies strategically allocate their resources -- by expected return. Safe bets have a higher expected return than risks, and that's a self-sabotaging pattern in the long term, which just happens to keep indie bands out

--

Mark, don't tell me anything on YHF would be harder to put on the radio than 'Rape Me' by Nirvana. Smiler

And 'Paranoid Android' got huge MTV play.
 
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Guru
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That's all true Bob. I think what we all will be watching now is how the next Shins record does (when the record companies know that people like them). If the Shins go platinum, you win. If they don't, I win!
 
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Apprentice Guru
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As far as I know, the Shins are still on Sub Pop, and I think it's fair to say that a platinum record would be a huge deal for even that biggest of indie labels. I don't know how long it's been since they've had one, but I perused their roster and I bet it's been a while. Like maybe since Nirvana. But this new Shins album might end up being their most anticipated release since In Utero, so it might happen.

So if the Shins are trying as hard as they can to cash out, then they would be wise to move to a major. I'm guessing that they want to reach a wide audience and get rich without making the compromises that majors typically demand. But they will definitely get played on the radio (esp. non-Clear Channel) and they might get on MTV, even though there's no direct money in it for Viacom.
 
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Super Bad-Ass Jedi
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quote:
Originally posted by dubs:
As far as I know, the Shins are still on Sub Pop, and I think it's fair to say that a platinum record would be a huge deal for even that biggest of indie labels. I don't know how long it's been since they've had one, but I perused their roster and I bet it's been a while. Like maybe since Nirvana. But this new Shins album might end up being their most anticipated release since In Utero, so it might happen.


The only Nirvana album released on Sub-Pop was "Bleach". They went to Geffen after that. I think "Bleach" sold pretty well, but only after "Nevermind" made it big.


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We were wasps with new wings, now we're bugs in the jar.

 
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Apprentice Guru
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Right-o. Makes perfect sense. I'm not much of a historian.

Do you know of any Sub Pop releases to go platinum prior to the release of subsequent albums? Or of any way to find these sorts of sales figures without subscribing to SoundScan?
 
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Jedi
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I remember there was a story a couple years ago about how the Postal Service was the second-highest-selling Sub Pop ever, and it sold nowhere near what that Nirvana album did.


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Anatomy to me is a homesick stomach and a broken heart
 
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