The label 'experimental' is (or used to be) a little different. I think that one did make sense for quite a while. When people (critics and musicians alike) talk about 20th century academic 'experimental' music, I believe they do make it sound like a test - one that was a big fat failure to many less adventurous ears.
But now that the ...what - form, genre? has matured a bit it seems that that label experimental gets less and less appropriate. Now there's a definite subculture that has already decided that they like the results and want to do more testing. But now that so much has already been done for the first time it seems more like product development (all bogus business connotations aside) rather than honest to goodness experimentation. Maybe this is another discussion that could migrate to the avant garde thread?
Originally posted by vitunkrapula: The label 'experimental' is (or used to be) a little different. I think that one did make sense for quite a while. When people (critics and musicians alike) talk about 20th century academic 'experimental' music, I believe they do make it sound like a test - one that was a big fat failure to many less adventurous ears.
But now that the ...what - form, genre? has matured a bit it seems that that label experimental gets less and less appropriate. Now there's a definite subculture that has already decided that they like the results and want to do more testing. But now that so much has already been done for the first time it seems more like product development (all bogus business connotations aside) rather than honest to goodness experimentation. Maybe this is another discussion that could migrate to the avant garde thread?
I definitely agree with your conception of the "experimental" side of contemporary music vitunkrapula. How long has it been since you've heard a sound that really surprised you? I still listen to ye olde Nurse With Wound classics just to get a bit of fresh ground sounds. Sure I love distortion, sine waves, clicking percussion, and chime synths but in terms of sonic exploration even the so-called avant-garde retreads and retreads and retreads. Of course I love "October Language" for the very reason that it sounds like the best Fennesz/Tim Hecker track played at varying chord changes for 45 minutes, so maybe I'm just expelling hot air here.
Hey buddy, your 'question' is pretty subjective, so even if I were to say that I think Oasis is indie, which I don't, it isn't going to be 100% valid for everybody. Oasis is or was signed to Sony, and considering the normal definition of "Indie" they don't fit the category. Thing is, most of the artists you mentioned were around before "Indie" actually meant anything.
Posts: 3808 | Location: ZZ9 Plural Z Alpha | Registered: 18 October 2004
Ritter, Newsom = Indie Folk Joy Division, New Order, Echo = Post-Punk/New Wave Oasis, The Verve = Brit Rock VU = Protopunk, Art Rock Goldfrapp = Electropop Wrens = Indie Rock
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Posts: 5486 | Location: Michigan | Registered: 19 June 2005
Originally posted by ericg75: Here's how I'd classify them.
Ritter, Newsom = Indie Folk Joy Division, New Order, Echo = Post-Punk/New Wave Oasis, The Verve = Brit Rock VU = Protopunk, Art Rock Goldfrapp = Electropop Wrens = Indie Rock
Looks about right to me.
Posts: 3808 | Location: ZZ9 Plural Z Alpha | Registered: 18 October 2004
Originally posted by just indie: well then would these bands be considered indie?
josh ritter - Nope joanna newsom - Yup! joy division - Nope echo and the bunneymen - Nope oasis - Nope new order - Nope the verve - Nope the velvet underground - Nope goldfrap - Nope the wrens -Yup!
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