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Of Montreal is pretty good if you like that type of psychadelic pop sound. Try the song "Disconnect the Dots." They also have a pretty good cover of "Know Your Onion."
And to answer the thread, Built to Spill, Neutral Milk Hotel, and The Shins are probably the best indie bands.
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Slacker
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thanks guys i checked them out they sound great, im posting a new topic just so i can get even more feedback
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Guru
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adding: Black Mountain - s/t (on scratch recordings)
"the sun gets passed from sea to sea, silently, and back to me"
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| Posts: 761 | Location: middle of bf nowhere | Registered: 25 January 2005 |    |
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Know-It-All
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i agree wholeheartedly but how bout 7 kettles unbelieavable song but its funny their ep has a diff kindof style than funeral but has the same tone in the lyrics altho funeral is undoubtedly their best and how bout bright eyes from the lists ive seen so few include him hes one of the best out there today
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Slacker
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ok. this whole indie scene has totally changed over the years. but here's MY depiction of what indie is. The Strokes The White Stripes The Kings of Leon The Libertines The Vines Interpol Those are my favorite indie bands. anyone agree or disagree? would you guys say that's indie? because i stopped listening to the radio a while a go and stopped watching mtv too. so i dunno if that's what indie is today.
----A Stranger
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| Posts: 6 | Location: California | Registered: 16 August 2005 |    |
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Slacker
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ok, that makes sense.. The Libertines atleast you gotta say are pretty indie no? like i said... i know a couple of years ago the strokes and the vines and the white stripes were totally indie.. i just don't know what happened.. it's not like they totally abandoned independentness... well, the white stripes, yes.... they're huge now... i dunno where im getting with this.. 
----A Stranger
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| Posts: 6 | Location: California | Registered: 16 August 2005 |    |
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"Forum Moderator" Jedi
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quote: Hmm..there are some indie bands that push the envelope a whole lot less than some of those bands do.
Yeah, but they're on indie labels. quote: ok, that makes sense.. The Libertines atleast you gotta say are pretty indie no? like i said... i know a couple of years ago the strokes and the vines and the white stripes were totally indie.. i just don't know what happened.. it's not like they totally abandoned independentness... well, the white stripes, yes.... they're huge now... i dunno where im getting with this..
I think you and Bob might be confusing indie music with music that the indie press commends. Indie is not a synonym for good. There can be very good non-indie bands (such as the White Stripes and Strokes), and there can be really shitty indie bands. You don't necessarily have to sell out and change your music to be considered non-indie either, in my mind. If you move to a major label and don't seriously deviate from typical rock or pop fare, you lost indie status to me. You are on a major label with all their resources and marketing at your disposal. That forfeits your indie status. I also think there are varying degrees of indie-ness even among artists that are on indie labels. Artists on Sub Pop, Merge, or Matador are probably the least indie of all indie artists as those labels are really large and have lost of marketing resources at their disposal. Artists that have their own label or self-release their own releases fall into the indie-as-shit category.
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| Posts: 3910 | Location: NE Indiana | Registered: 14 April 2005 |    |
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"Forum Moderator" Jedi
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I don't see why it has to be that way, Bob. To me, there are two ways to try to gain the largest audience possible for your music apart from the actual merit of the music: You can use marketing (which is dominated by major labels) or you can write music that is similar to what has already been done and that people are comfortable with. Radiohead is on a major label but they are blazing new musical trails that probably turn off the average person. That, to me, is indie. An artist like, say, Damien Jurado isn't really doing anything new, but he also isn't availing himself of a major label's marketing resources. I think that's indie too. I guess indie doesn't specify a certain type of music to me, but rather a kind of spirit. If a guy's writing songs in his living room just to play for his kids, that's indie, no matter what kind of music he's writing. And I think if someone's tearing down musical barriers and opening people's minds to a new kind of music, then I think that's indie too, no matter what label he's on. quote: Because I don't see progressiveness as massively correlated with 'indieness'.
You really think major labels have as much progressive-type music as indie labels?
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| Posts: 3910 | Location: NE Indiana | Registered: 14 April 2005 |    |
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Jedi
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Well, you actually do have a point there RavingLunatic, and I think that's a good distinction to make, but it seems a bit subjective to define 'indie' that way. I like your approach, but I would call it something other than 'indie'.
But, I wouldn't exactly call White Stripes, Strokes, and Interpol incredibly mainstream. The Stripes and Strokes became mainstream after the fact, but I wouldn't blame them for mainstream tastes adjusting to them, rather than the other way around. And Interpol...well, if they're copying anybody, it's a band that never achieved any mainstream popularity.
There's less progressive stuff on major labels than on indie labels, but I think that's because it's easier for less progressive stuff to become popular enough to be signed to a major label.
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| Posts: 1783 | Location: Around Boston. | Registered: 24 February 2005 |    |
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Slacker
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All great suggestions so far.....I'll make a contribution I surpose (sorry if I duplicate, I havnt read all the replys  ) 22-20s A.C Newman A Northern Chorus Ambulance LTD. Andrew Bird Animal Collective Antony & The Johnsons Aqualung Arcade Fire Architecture In Helsinki Arctic Monkeys Babyshambles Badly Drawn Boy The Bandits Beck The Bees Bell X1 Belle & Sebastian Ben Folds Ben Folds Five Ben Kweller Ben Lee The Bens (Folds, Kweller, Lee) The Beta Band Bloc Party Brendan Benson Bright Eyes British Sea Power Broken Social Scene Camera Obscura The Chalets The Charlatans Clap Your Hands Say Yeah Clor Coldplay The Coral Cosmic Rough Riders The Cribs Crimea The Crocketts Damien Jurado Damien Rice David Berkeley The Dead 60s The Dears The Decemberists The Delays The Departure Devendra Banhart Do Me Bad Things Doves Ed Harcourt Editors Elbow The Elected Elliot Smith Embrace The Fiery Furnaces The Flaming Lips The Futureheads Gomez Hal Head Of Femur Hope Of The States Hot Hot Heat I Am Kloot Idlewild Interpol Iron & Wine Jack Johnson Jason Falkner Jeff Buckley Jonathan Rice Jose González Joseph Arthur Josh Rouse Kaiser Chiefs Kasabian Keane Kent The Killers Kings Of Convenience Kings Of Leon The Kooks KT Tunstall Little Barrie The Lucksmiths M. Ward The Magic Numbers Math & Physics Club Matt Nathanson Matt Pond PA Maximo Park Metric Neutral Milk Hotel The New Pornographers New Rhodes Okkervil River The Ordinary Boys Owen The Paddingtons Patrick Wolf Pavement Radiohead The Rails The Rakes Razorlight The Reindeer Section Rogue Wave Rufus Wainwright Ryan Adams Shearwater The Sights Snow Patrol Spoon Stars Stephen Fretwell Stephen Malkmus The Strokes Sufjan Stevens Teenage Fanclub Tenderfoot Thee Unstrung The Thrills Travis Tullycraft The Veils We Are Scientists The Weakerthans Wilco Willy Mason Xiu Xiu Zumpano The Zutons Sorry about the long list, I tried my best to cut it down....
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"Forum Moderator" Jedi
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quote: Head Of Femur
Huh. Big surprise there.  quote: Ambulance LTD.
What are they like? I don't know why, but for some reason, I made a note to myself to look into them.
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| Posts: 3910 | Location: NE Indiana | Registered: 14 April 2005 |    |
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Know-It-All
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Despite the fact that 80% of the new music I listen to falls into the "Indie Rock" category, I would have to say that it is the most annoying classification of music there is. The term "indie" by definition means that it is music that is released by an independent label. The movement began in the late 70's- early 80's when independent labels, (SST, Homestead, Dischord, etc.) began popping up all over the country.
Raving Lunatic is right. Too many people tend to associate "indie-ness" with quality. Radiohead is not an indie band. The Flaming Lips are not an indie band. Modest Mouse ceased to be an indie band the minute they signed with Sony. Does that make them worse? Of course not, but if you're using the term in the proper way, that's the way it is. With that said, I find that all of these sub-genres can be quite annoying in general. But defining music not by how it sounds, but by the manner in which it finds it's way to the consumer, is particularly pointless.
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