10. The Life Aquatic with Steve Zissou
Wes Anderson may be painting himself into a corner with his increasingly quirky dramedies, but it is not yet a corner in which I feel trapped. As in all his films the richly detailed characters, witty dialogue and zany situations (this film in particular contains several scenes that could only be described as comic lunacy) reel you in before the deeper subtext is realized. Bill Murray turns in a second stellar quasi-comic turn, in as many years, and this time I’m really convinced that this is truly a role only Bill Murray could pull off.
Grade: B+
9. Collateral
A wonderfully directed gem of a film packed with great performances. Jamie Foxx turns in his second noteworthy performance of the year (Ray) and Tom Cruise sheds many of his star-isms to take on the role of a hired contract killer in what is his darkest mainstream lead role to date. It's been a while since a film noir has relied so heavily on a city as a third character but Los Angeles, as a seen through the eyes of the detail oriented Mann and his cinematographer, turns in a beautiful, digitized performance.
Grade: B+
8. Garden State
With Garden State first time writer/director Zach Braff has created a worthy addition to the pantheon of films that strive to capture the essence of a generation. The tale of a depressed twenty-something (portrayed by Braff) defined by his reliance on prescription mood medication builds well from the first frame. This was clearly a labor of love and the amazingly sturdy cast does a fantastic job. Great supporting work by Peter Saarsgard as Braff’s high school best friend and Natalie Portman (in her best performance to date) as his love interest lift what could easily have been a too-depressing morality tale to greater heights.
Grade: B+
7. Hotel Rwanda
What sets Hotel Rwanda apart from other like minded ‘holocaust’ films (Schindler's List, The Pianist) is that the emotion of the film is defined, not by the graphic actions of those involved, but by the shocking inactions of those who chose to remain uninvolved. Don Cheadle (as Paul Rusebagina) re-creates a savior for modern times as his character transforms from an employee defined by his work at the titular hotel, to a hero that uses the very same hotel to define hope and freedom for thousands. Hotel Rwanda may not be the best produced film this year but it is without a doubt the film with the most important message.
Grade: A-
6. Sideways
Paul Giamatti turns in another spectacular performance (see 2003's American Splendor) in what is hands-down the funniest screenplay of the year. What is essentially a romantic comedy/buddy film that takes place entirely during a weekend road trip through California's wine country provides wonderful insight into the deranged mind of the single male. Richly crafted dialogue and stellar performances from the entire cast help the film soar (one scene in particular truly displays the power of the written word) like few others this year.
Grade: A-
5. Before Sunset
Like it’s predecessor, Before Sunset takes some getting used to. The rapid-fire delivery and the relaxed directorial style are a departure from typical fare. But once past those road-blocks the film settles into a very beautiful rhythm. It’s difficult to believe that there were actual pre-fabricated words for a film with such snappy banter. Ethan Hawke and Julie Delpy slip back into their old characters so seamlessly that it’s sad to think that this will be the last we see of the star-crossed lovers. As an added perk, Before Sunset contains what is likely the most perfectly conceived, and executed, final scene of any film this year.
Grade: A-
4. The Aviator
Martin Scorcese makes a grand, long awaited return to cinematic glory with this stunning, gorgeously shot, biography of perhaps one of the least understood moguls in American history. The film is carried by amazing supporting work, (Kate Blanchette turns in a bravura supporting turn as Katherine Hepburn) and a grown-up fully realized performance from Leonardo Dicaprio Though, some complain that the film fails because it doesn’t quite explain the madness behind Hughes' eccentricities I believe that that is precisely why it works so well. The Aviator is a grand testament to the fact that no one ever got close enough to Hughes to know the who or the why.
Grade: A-
3. Million Dollar Baby
A taughtly directed gem from actor turned auteur Clint Eastwood. Though it could have easily been played as a straight tearjerker this story reaches far deeper than a less talented director would have allowed it to. When the strongest moments are realized in scenes of silence it brings the realization that we are watching something special unfold. Stated distaste for Eastwood's previous directorial effort (Mystic River) aside, I truly believe that that is his best work since Unforgiven. Maybe, not coincidentally, because it too attempts to bends the rules of the genre as Unforgiven did for the western so many years ago. Detractors seem to dislike the unrealistic portrait of boxing and the sentimental ending but this film never claims to be a how-to manual for the sweet science. It is fiction and great fiction at that.
Grade: A-
2. Eternal Sunshine of the Spotless Mind
A mind bending, time/space altering fable about true love gone awry is built around beautiful work by first time feature director Michel Gondry. The script of the year written (surprise) by the spectacularly offbeat Charlie Kaufman provides the leads with much to work with and Jim Carrey turns in his most fully realized and mature performance. This might seem the best adaptation of Charlie Kaufman’s work to date but it is actually a great film because it’s the most accessible topic he’s attempted to investigate to this point.
Grade: A
1. The Incredibles
A marvelously entertaining animated masterpiece from the creative geniuses at Pixar. It seems that every year they manage to put a film on this list (2003's Finding Nemo) and this has been the most flat out enjoyable of the lot to date. Director Brad Bird (of the equally amazing but under-appreciated Iron Giant) does a spectacular job of blending the fantastical with the mundane in this tale of a superhero family forced, by the very citizens they protect, to go into the witness protection program. At the moment the young son (Dash) first realizes the extent of his power you too will believe in the incredible.
Grade: A
Honorable Mention:
Kill Bill: Volume II – B+; Harry Potter and the Prisoner of Azkaban – B+; Spider-Man 2 – B; Finding Neverland – B; The Phantom of the Opera – B; Ray – B
Some likely good films I haven’t seen and therefore didn’t have a chance to make the list: Being Julia, The Door in the Floor, I Heart Huckabees, In Good Company, Kinsey, Maria Full of Grace, Motorcycle Diaries, The Sea Inside, Spanglish, Vera Drake
Pain or damage don't end the world,
Or despair or f**kin' beatings.
The world ends when you're dead.
Until then you got more punishment in store
Stand it like a man - and give some back.
Al Swearengen - Deadwood