I'm not sure how many posts this will get, as I don't think many people here particularly care for it, but why the hell not.
I suppose just go with the usual...your thoughts on it, favorite albums, etc.
As for me, I'm pretty big on free jazz, and I think it gets way too much flack by the so-called "jazz community"
Some of my favorite artists:
Cecil Taylor Sun Ra Don Cherry Ornette Coleman Pharaoh Sanders Albert Ayler John Coltrane Alice Coltrane Lennie Tristano Art Ensemble of Chicago Anthony Braxton Eric Dolphy Bill Dixon Archie Sheep
Favorite 10 abums would be something like this, although I imagine the list is a relatively generic one(no real order after the first two)
Cecil Taylor- Unit Structures Lennie Tristano- Intuition (unbelievable this was recorded when it was, altough I would love to someday get Descent into Maelstrom, which I've heard is better) John Coltrane- Ascension Sun Ra- The Magic City Pharaoh Sanders- Karma Ornette Coleman- Free Jazz Don Cherry- Mu Anthony Braxton- For Alto Albert Ayler- Spiritual Unity Art Ensemble of Chicago- Les Stances A Sophie Eric Dolphy- Out There
Then of course there are more recent free jazz acts, like Anatrofobia, Fond of Tigers, John Zorn, Talibam!, Original Silence, and plenty of others, but they're more rock influenced, so I'd imagine all those would fit better in regular Avant Garde thread.
This message has been edited. Last edited by: grabblegarrr,
Archie Shepp? I bet Mr. Sheep might make some good music. Grabble, is this post making you feel a little sheep-ish? ok I'm done, wow that was terrible.
Very solid list! Very similar to a top ten of my own for the genre. I will definitely have to check out Lennie Tristano and Anthony Braxton. I would also like to add Sonny Sharrock, as well as ZU for the modern, rock influenced end of the spectrum.
Archie Shepp is a bit overrated, Archie Sheep though, that's where it's at.
I'd also like to add Spring Heel Jack's 2002 album, Amassed, not as original (though probably as good as) their more drum n bass albums that came before it (especially Disappeared), but very very good nonetheless (I'd say one of my favorite records of the decade). Jason Pierce (Spiritualized) adds some nice touches on this record.
next to Coltrane, no stranger to avant-Jazz himself, Coleman is my favourite jazzman. He always knew in those heady early days how to spiral away from a central grounding and yet leave echos of where he'd been and the listener could make sense of how his pieces developed.
Cecil Taylor is also a tremendous talent, but I've heard only a handful of albums. I gotta agree on including Sonny Sharrock. He has such power and heartbreak in his work.
...and heresy, heresy; heart break is what I have never got from Ayler. I like his stuff, but it's always been a bit too 'head' for me. I never get the sense he is playing for his life, unlike Coltrane.
Don't forget Derek Bailey, AMM, Ruins, and Andrew Hill, whose Point of Departure is an essential purchase!!
This message has been edited. Last edited by: Kulturtrager,
'for my purpose holds to sail beyond the sunset, and the baths of all the western stars, until I die.'
Posts: 2054 | Location: The ever silent spaces of the East | Registered: 12 February 2007
I understand the Albert Ayler thing, and I definetely don't think his body of work comes anywhere near Coltrane's, but I do love a few of his albums, most notably Spiritual Unity, which I do think he is "playing for his life" on.
Also, I agree with the AMM. I've only heard their most acclaimed, AMMMusic, but I really love it. What else would you suggest by them?
Also, I haven't heard anything by Derek Baily, although I've heard much about him. I'll have to pick up the Andrew Hill album sometime too.
Nice list grabblegarr. I really like Peter Brotzmann Octet's Machine Gun a whole lot too. It's an amazing record and just reissued last year. I love AMM too!
I'm glad you get that sense of absolute manic commitment from Ayler, g/g. Maybe I just need to listen deeper, longer...
Anything by Bailey is worth your time, but good places to start would be either Ballads or Guitar, Drums and Bass.
AMM are daunting to delve into, and don't always fall easily into an avant-jazz category, but of what I've listened to I recommend The Nameless Uncarved Block, AMM 3 and the Allentown live one, though not so jazzy, but still wonderfully odd.
'for my purpose holds to sail beyond the sunset, and the baths of all the western stars, until I die.'
Posts: 2054 | Location: The ever silent spaces of the East | Registered: 12 February 2007
Originally posted by jonathanbrisby: Nice list grabblegarr. I really like Peter Brotzmann Octet's Machine Gun a whole lot too. It's an amazing record and just reissued last year. I love AMM too!
Shit, I'm behind. I have that album on my computer, but I didn't know it had been reissued, I'll have to buy it. Yeah it is a really great, aggressive record. In fact, I probably should have included it in my top 10 because it really is fantastic. But, oh well.
Great thread. Some really, really awesome albums mentioned. I guess I really don't have a whole lot to add, I'll just note that Ornette Coleman's Free Jazz has to be one of my top 10 albums of all time, in any genre. And Derek Bailey's music is just so fantastic. Such a great guitarist. At first his playing may seem like anyone could do it but some of the shit he pulls off is super technical and incredibly challenging.
Plus as it turns out I was just listening to Jumpin' Punkins by Cecil Taylor yesterday. Very good.
quote:
Originally posted by jonathanbrisby: Nice list grabblegarr. I really like Peter Brotzmann Octet's Machine Gun a whole lot too. It's an amazing record and just reissued last year.
I haven't heard Machine Gun, sounds like I need to. However I do have For Adolphe Sax. I dig it.
OK, I should have contributed to this thread a long time ago but I am here now and that counts for something. I really like a lot of your list grab, I am partial to Coltrane as he is probably my favorite jazzman of all time.
I’ll try to mention a few you didn’t, since you have most of the cornerstones and giants (Coleman, Mingus, Coltrane) covered.
Eric Dolphy is a really good one. As the first important bass clarinet soloist in jazz, he was a master at most woodwinds. He fits more into the free jazz category because of his use with the twelve note scale—that’s not even mentioning how he made those weird noises through the instrument! My favorite album by him has to be Out There, following his work with Mingus, he really shined. And the title track collaboration with the bassist is amazing. I especially like the bass on here played by the overlooked, Ron Carter. However, a lot of his work is really great and worth seeking.
Some albums that you didn’t mention that you should hear if you haven’t are:
Anthony Braxton – 3 Compositions of New Jazz Albert Ayler – Bells-Prophecy Sam Rivers – Streams Archie Shepp - Four for Trane James Blood Ulner - Tales of Captain Black
That’s all I can really help with for now, I’m sorry I don’t have more.
----- These days I'm so slow, all of these thoughts and nowhere to go. My aim it used to be so true, my world had a place in it, darling, just for you.
Posts: 5712 | Location: Texas | Registered: 27 December 2005
all of the artists named in this thread are wonderful! Sun Ra & the various members of his Arkestra(John Gilmore) are my favorite musicians by far! And respect to the guy that mentioned Animals on Wheels...another one of my influences!
Anyone who enjoys anything named in this thread...check out my band Masik. I dont mean to spam, but some of our tracks follow direct5ly along these lines. Especially our newest one, High Orionis...drums for days! Let us know what you think...oh, and this is recorded LIVE as always
Excellent list. One omission that I really love (though I've only heard the first half) is Noah Howard's "Black Ark", from '69. Really amazing playing from everyone involved, especially the unearthly bleating of Arthur Doyle.
As for modern stuff, Charles Gayle's "Repent" is a good 70-minute Brontzmann-style blowout, Zu's "Igneo" is an insane hardcore/funk/free jazz hybrid, and The Chicago Underground Quartet's self-titled album is an interesting listen, blending free jazz, cool jazz, minimalism, and post-rock.
Incidentally, did anybody see either Cecil or Ornette at the Portland Jazz Festival in February? I did, and they were both incredible.
I picked up Alice Coltrane's Eternity the other day. I had downloaded it before and was blown away. I have a feeling Satchinananda might be more of a classic or "more important" in some sense, but for now I'm happy!