When I bought
New York back in 1989-- a couple years out of high school. I sort of had an idea of who Lou Reed was but I'd never really delved into his work. "Walk on the Wild Side" was a staple of classic rock radio in our area (is it still?), and REM's
Dead Letter Office had spurred me into buying a Velvet Underground compilation. I'll admit, I was all about new music at the time, and I didn't listen to that VU tape (yes, I mean cassette) very much.
New York with it's tales of Aids victims, junkies and the homeless was an absolute revelation. It was so damn real. I was borderline obsessed with it, and it still ranks as my favorite Lou Reed album. After talking to a record store employee, the next thing I bought by the Rock & Roll Animal, was
Transformer. I absolutely hated it, and I did so for years. When that VU Box set came out in the mid-90s, I splurged. That's when it all started to make sense. I slowly worked my way through that box, and then on to LR's (and John Cale's, but that's another topic) solo stuff. As I said in the other thread, I think his catalog is pretty damn consistent through 1989 (
Mistrial might be the exception).
Oh and, I too love the Cale/Reed collaboration
Songs For Drella.
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Weep to Water the Trees.
"This is my main concern with Obama; what if he has been groomed since childhood to blend in with the zionists and infidels? What if he has been led along by a radical islamic terrorist organization and positioned to become an influential politician?
What if Obama gets into White House and turns out to be some crazy muslim terrorist? What do we do then? We'll be pretty screwed. It could happen." -- by some fucking nutjob